Song for Marion (2012) at this year's 56th London Film Festival, starring the considerable talents of Vanessa Redgrave, Terrance Stamp, Christopher Eccleston and Gemma Arterton. Marion (Redgrave) and her husband Arthur (Stamp) live in their small suburban bungalow, coping with the fallout of Marion's recent cancer diagnosis. Refusing to let this news get her down, Marion finds comfort and happiness in her local choir, run by kindly and vivacious school teacher Elizabeth (Arterton).
When Marion's condition worsens, she attempts to get her cantankerous old husband involved but, unlike his wife, Arthur is not someone who lightens up easily. With scenes of OAPs banging out contemporary(ish) Gnarls Barkley's Crazy or Salt-n-Pepa's Let's Talk About Sex, this light-hearted comedy drama certainly won't be to everyone's taste. Following on from another LFF Gala showcase, Dustin Hoffman's Quartet (2012), and the release earlier this year of The Best Exotic Marigold Hotel, Williams' film indulges itself in all the worst ways, merrily embracing all things emotionally manipulative, clichéd and twee.
Song for Marion could potentially draw in the allusive 'Grey Pound', reaching a much underexploited market of cinemagoers, but you can't help think that our retired population deserve something more. Williams' latest is all rather patronising, exploiting its aged cast with jokes about old men falling asleep or sex-pot grandmothers still keen to knock knees. Whilst the film's message is clear - that we should all lighten up about getting old and embrace life (whether we are collecting our pension or not) - it goes in all the wrong directions, leaving a ragbag of emotionally manipulative plot points and poor quality jokes in its wake.
Ultimately, Song for Marion feels like a very weak effort from Williams. If this new trend continues for films about growing old, as audiences we (whatever our age) should ask that they move beyond being trite, patronising and exploitative.
The 56th BFI London Film Festival runs from 10-21 October. For more of our LFF coverage, simply follow this link.
Film of the Week
★★★★☆ Few contemporary filmmakers are able to use colour with such painterly, masterful splendour as Pedro Almodóvar. The opening frame...
FrightFest 2016, the UK's premier horror film festival, runs over the forthcoming August Bank Holiday weekend. With over sixty movies...
★★★★★ Stalker is, without a doubt, Russian auteur Andrei Tarkovsky's masterpiece. Based on the short novel Roadside Picnic by bro...
★★☆☆☆ Raucous entertainment and early promise inevitably succumbs to drab predictability in Todd Phillips' War Dogs . Based on the ...
★★★☆☆ Coming out of the punk explosion of the 1970s, Gary Numan had a series of hits such as Are "Friends" Electric? and Car...