We're left guessing as to who has betrayed whom and if Omar is really working for the Israelis or remains loyal to his friends and their cause. There are some wonderful chase scenes through the narrow passages of the West Bank and across roofs. The stark landscape and brutal concrete structures that separate the friends from each other and imprison Omar is brilliantly captured by cinematographer Ehab Assal, reflecting the political and sociological barriers to peace in the region. Omar's love for Nadia adds an extra layer to the plot and serves as a reminder of his sensitivity and humanity. Even after being scarred by violence, Omar attempts to behave honourably. But after his second detention and early release, Nadia begins to doubt him and Omar finds his choices increasingly restricted. It is as though Agent Rami has put a noose around his neck and is gradually pulling it tighter. This is political cinema at its best; intelligent, thought-provoking and utterly absorbing. Bakri is a star in the making and delivers an electrifying performance.