Banville's screen adaptation perfectly distils the essence of his novel's main themes. It is no mean feat to capture the interior musings of one man on celluloid. The Sea is as much about the nature of memory as it is about loss and Brown has produced a quietly affecting film that is not afraid of using silence to great effect. In Banville's script, often what is left unsaid is as important as what is spoken. Brown is well served by a stellar cast - Hinds delivers a terrific performance as a man who falls apart and gradually puts himself together again. John Conroy's superb cinematography, set against the dark roiling sea is also particularly memorable. The scenes from Max's childhood are shot through with a sun imbued glow whereas the present is muted reflecting Max's perspective - he seeks solace in the past when faced with an uncertain future. The Sea is a poignant meditation on love, grief and loss, a slow burning drama and a fine debut.