However, they also touch upon interesting preoccupations both for the director and wider Taiwanese society during the 1990s and give insight into later thematic and stylistic decisions of Lee's. The homosexual relationship at the heart of The Wedding Banquet, for instance, would be a subject returned to in Brokeback Mountain (2005) - for which Lee won the first of two Best Director Oscars - and Taking Woodstock (2009). All three films also foreground anxieties and realities of the younger generation emigrating away from Taiwan and the changing notions of family and obligation that this necessitates. Through Lung's characters - particularly in Pushing Hands and Eat Drink Man Woman - pay homage to an elder generation of masters devoted to their disciplines.
In the former, the soothing rhythms of Mr. Chu's Tai Chi are reflected in the considered pace of the entire film and while they are keenly juxtaposed against his own personal turmoil, his skill is diligently observed. There are even a couple of scenes that winningly pre-empt the wuxia of Crouching Tiger that hindsight furnishes with a smile. Despite farcical elements in both The Wedding Banquet and Eat Drink Man Woman these are generally cordial and elegant films that present complex and developed emotional entanglements navigated with dexterity that signalled the formation of a real talent. They may not stack up to Lee's most lauded work, but they're a must for fans.
Ben Nicholson | @BRNicholson