Sarah grumbles to her father Paul (Mehdi Nebbou) about having to go to camp before they pick up her friend Charlie. Minutes later, they've stopped for a restroom break near a lake and Charlie has been pushed to her death from a dam. Soon, Paul and his ex-wife Christine (Ulrike C. Tscharre) are conspiring to keep the death a secret and protect their offspring. This is where We Monsters feels as though it is pitching to be a modern morality play, attempting to tie in past sins of both parents' solipsism with their current scramble for familial preservation. Köhler's compositions seem to lay options in front of them, the characters often shot small against an open space externalising their relative freedom. The underlying problem is that the screenplay off-handedly verbalises the points of interest in this discourse, though, confusing that with examining them in any meaningful way. This isn't helped by the nagging feeling that this might have felt a lot more incisive were it to play as an absurd satire.
There are undoubtedly scenes that have inherent comic potential - Christine gamely trying to dissolve Charlie's in acid while it keeps bobbing to the surface, for instance - but they are played far too straight. In the last ten minutes things do cross some kind of threshold, though this jars rather than chimes with what has to that point been an unremarkable drama. The interwoven narrative strand that sees Paul and Christine finally reconnecting over the cover-up of a murder admittedly has a rye element to it, and there's a neat subversion of expectations regarding Charlie's father. These - like Fautz's characterisation - are successful pieces in an otherwise unconvincing whole, perhaps typified by a mishandled analogy regarding a butterfly's metamorphosis that presumably should be profound, but is totally lost. The title suggests a bold thesis, but We Monsters hangs limp like a withered chrysalis.
The Toronto International Film Festival takes place from 10-20 September 2015. For more coverage, follow this link.
Ben Nicholson | @BRNicholson